Welles then recounts his own history of fakery, including his infamous “War of the Worlds” radio broadcast, which made listeners believe aliens were actually invading Earth.

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Written and directed by Orson Welles, based on the novel by Franz Kafka. Welles was a lifelong magician, and his affinity for trickery and illusions often found its way into his filmmaking. Ada begitu banyak barang-barang antic dan berharga di istana itu, bahkan jumlahnya setara dengan 10 museum. “Touch of Evil” is a film noir masterpiece filled with striking visuals and bravura performances. Copyright 2020 © streamcloud.club All rights reserved. Written and directed by Orson Welles, based on his original radio scripts.

Though the comedic relief is front and center, there’s still plenty of juicy supporting roles for more dramatic performers, including John Gielgud as Henry IV, Margaret Rutherford as Mistress Quickly, Jeanne Moreau as Doll Tearsheet, and Fernando Rey as the Earl of Worcester. The gritty Battle of Shrewsbury remains impressive, especially considering the film’s tiny budget.
(It did manage to score four Oscar nominations, including Best Picture.). Despite winning the Palme d’Or at Cannes, the film remained largely unseen for decades, but is now available on bluray thanks to Criterion.

The film’s opening tracking shot — which follows a bomb from the hands of a criminal through the streets of Mexico in an unsuspecting couple’s vehicle — is justifiably famous, but there are other virtuoso unbroken shots as well courtesy of cinematographer Russell Metty. Based on the Pulitzer Prize-winning novel by Booth Tarkington, “The Magnificent Ambersons” tracks the decline of a prominent family in turn-of-the-century Indianapolis. A film almost 50 years in the making, Welles’s long-unfinished swan song was finally completed and released in 2018, edited from footage shot between 1970-1976.

The film is nightmarish in its vision, filled with expressionistic art direction, canted camera angles and haunting lighting.

Despite 9 Oscar nominations and a win for Welles and Herman J. Mankiewicz’s screenplay, it faded into obscurity before being re-evaluated by critics, with the revered “Sight and Sound” poll (which takes place every 10 years) ranking it as the #1 film of all time from 1962-2012, when it was displaced by “Vertigo.” (“Kane” was still #2.) Charles kala itu adalah seorang raja surat kabar paling … He would return to the Shakespeare well with “Othello” and “Chimes at Midnight.”.
Privacy Policy. Heralded for its technical achievements and narrative innovation, the story of fictional publishing tycoon Charles Foster Kane continues to be one of the most celebrated films of all time. Jean Mandaroux’s sets are particularly striking, including Joseph K.’s office, with its endless rows of typists and desks. Directed by Orson Welles. His friend and costar, Peter Bogdanovich, spent years trying to restore it, finally striking a deal with Netflix. Starring Orson Welles, Robert Arden, Paola Mori, Akim Tamiroff, Michael Redgrave. Orson Welles In 2018, his long-incomplete final movie, “The Other Side of the Wind,” was finally finished and released on Netflix. Though it’s rather jarring to see Welles donning dark makeup to play the tortured Moor of Venice at the center of Shakespeare’s famous play, he nevertheless gives a mesmerizing performance that avoids the ham-handed racism of other interpretations.

Starring Anthony Perkins, Orson Welles, Jeanne Moreau, Romy Schneider, Akim Tamiroff, Elsa Martinelli. A group of reporters who are trying to decipher the last word ever spoke by Charles Foster Kane, the millionaire newspaper tycoon: "Rosebud." Starring Orson Welles, Micheal MacLiammoir, Suzanne Cloutier, Robert Coote. Welles gives one of his best performances as Quinlan, a drunken, bigoted cop who’ll stop at nothing to cover up his crimes. Film Streams' cinemas are temporarily closed in consideration of public health concerns and community-wide efforts to slow the spread of COVID-19.

One of the first films to deal with the atrocities of the Holocaust, it casts Edward G. Robinson as an investigator from the War Crimes Commission who’s hunting for a Nazi (Welles) living in Connecticut. Welles struggled throughout the rest of his career to achieve the same amount of creative control afforded him on his feature debut, and in several instances, his films were slashed almost beyond recognition. It’s also the pinnacle of his Shakespeare films, telling the story of the drunken rapscallion Falstaff (Welles), from his appearances in the two parts of “Henry IV” to his offscreen death in “Henry V.” Welles chews the scenery as the bombastic, lumbering drinking companion to Prince Hal (Keith Baxter), who’s far braver than his friend. The results speak for themselves. Once the widespread panic had settled down, Welles’s ticket to Hollywood was printed. As the reporters investigate further, the viewers see a display of a fascinating man's rise to fame, and how he eventually fell off the "top of the world. He’s skillfully hidden any trace of himself, except for an obsession with clocks.