Rainer Werner Fassbinder directed 44 films in 18 years. Découvrez tous les films de la filmographie de Rainer Werner Fassbinder. Respekt R.W... Acteur, Réalisateur, Compositeur, Scénariste, Chef décorateur, Producteur exécutif, Scénariste, Producteur, Réalisateur, Acteur, Producteur exécutif, Scénariste, Réalisateur, Les Héros ne meurent jamais Bande-annonce VF, Pourquoi M. R. est-il atteint de folie meurtriere, Les Choses qu’on dit, les choses qu’on fait. Here Fassbinder casts himself in the leading role. Maria Braun, Mata Hari of the Economic Miracle. The plot is a meditation on themes that preoccupied Genet such as transgression, homoerotic desire, jealousy and violence. A young gay man from a humble working class background wins the lottery and begins associating with wealthy men who are out to take advantage of him and ultimately swindle him out of his money (the title is therefore unambiguously ironic, as these individuals are certainly not Fox’s friends). Il s'oppose rapidement a Schuckert, individu louche et cynique, specialise dans la speculation immobiliere. For me, the eternal question is this: “Hanna Schygulla or Margit Carstensen?” And while my answer has always been the latter, “Effi Briest” is the first triumph that makes the case for Schygulla as Fassbinder’s best actor. “Despair” would make for a great double feature with Liliana Cavani’s “The Night Porter,” both of them starring Dirk Bogarde as a one-man-metaphor for Germany’s descent into Fascism. It didn’t help that the original novel was in French, though the trivia that Catherine Breillat helped with the translation of Jean Genet’s “Querelle de Brest” is one of my favorite tidbits. All rights reserved. The penultimate film of Fassbinder’s career, Veronika Voss was filmed in striking black and white, and tells the story of a once beloved actress who has faded from glory and become dependant on drugs and alcohol. It also has one of the best endings on this list, unexpected and fascinating. Le couple est mis à l'écart, mais ... Maria et Herman ont connu un bonheur éphémère durant la guerre. Maria, devenue entraineuse, se raccroche à la pensée de l'être aimé. Yet that characterization is reductive. It’s nice to see a Günter Kaufmann in a leading role, even if it’s in a movie without all that much talking. Il raconte son histoire au psychologue de la prison. Fassbinder was a multitalented genius; he directed films and plays, wrote screenplays and radio dramas, made documentaries and fiction films of all lengths and was also an actor. Rainer Werner Fassbinder is one of the most ruthless observers of human nature the cinema has ever known. Un jeune forain tombe amoureux d'un jeune bourgeois qui le depouille peu a peu de son argent. In a strange way, this is more of an epic than even “Berlin Alexanderplatz.” With “The Marriage of Maria Braun,” Fassbinder defines the male, capitalist triumph of West Germany’s economic miracle on brutal, female terms. Publicité |

Fassbinder puise son inspiration dans la littérature réaliste : Gustave Flaubert, Guy de Maupassant ou encore Theodor Fontane dont il adapte plus tard son chef-d'œuvre Effi Briest[2]. This simple, unpretentious grandeur extends to the story itself, which makes no bones about its melodramatic core. Like Almodóvar’s “Law of Desire” but turned on its head and dressed in black, “In a Year of 13 Moons” is a devastatingly beautiful film that melds Fassbinder’s late obsession with the history of the economic miracle with his determination to complicate its gendered politics. Delaissee par ses enfants, sa femme affronte seule les humiliations de la presse a scandale. I have excluded all of the shorts: the three made before Fassbinder’s first feature, his segment in “Germany in Autumn,” and the 43-minute TV special “Like a Bird on a Wire.” The mini-series “Eight Hours Are Not a Day” is unavailable with English subtitles, as are “The Coffeehouse” and “Theater in Trance.” Everything else is ranked below. Revue de presse | Rainer Werner Fassbinder directed 44 films in 18 years.