Die Schaubühne ist ein Theater in Berlin.

nachtkritik. Molière’s sparkling wit still comes through beautifully, but Lenk resists succumbing to silliness the way Fritsch does, a decision informed, at least in part, by her source material. Zur Anzeige muss JavaScript eingeschaltet sein!

Local critics have complained that this “Amphitryon” is all a bit too silly, and it has garnered Fritsch a fair share of bad reviews. The large cubicle looks like some immersive installation room you might find hidden in one of the new wings of the expanded Museum of Modern Art in New York. Der Vorverkauf startete am 15. Juni 2020, Beginn 20 Uhr Do., 4. Two Berlin productions find different types of comedy in the great 17th-century playwright’s works. In this world of ultrafashionable fops — several of Célimène’s suitors seem so obviously gay that the fact that Alceste feels threatened appears to be part of the joke — Matthes’s Alceste is a lethal killjoy. As social satire, “The Misanthrope” is by far the more pointed and shrewder of the two plays. Was eben noch ein Duett war, kann jederzeit in eine Musical-Massenszene kippen und im großen Verschiebebahnhof der Stile und Genres leuchtet das Schauspieltalent.

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Directed by Anne Lenk. Davor spielte er lange am Burgtheater Wien. From left, Carol Schuler, Axel Wandtke, Annika Meier and Bastian Reiber in “Amphitryon” at the Schaubühne.

1:41. His productions are brightly colored and heavy on physical comedy, usually without props but with plenty of music.

« NACHTKRITIK.DE, »Alle Elemente passen schlüssig zusammen und ergänzen sich amüsant wie ernsthaft – zwei Stunden Molière ohne inhaltliche Bedeutungsschwere, aber mit heiterstem künstlerischen Gewicht.« FAZ. Eine Produktion der Schaubühne Berlin.

Over the length of the show, he proves himself equally adept with Fritsch’s onstage antics and the subtler, more subdued aspects of the role. Trotz alledem 27. Compared with that and other Fritsch productions, “Amphitryon” places more emphasis on the text, which is mostly rendered faithfully (though Fritsch throws some French, dispatched with outrageous accents, into Arthur Luther’s German translation). His better-known plays find the comedy in foibles, deceptions and misunderstandings that are all too human.
Joachim Meyerhoff ist ein Star unter den Theaterschauspielern. Mi., 3. Movie Documentary Recommended for you. var addy46f3121a032aee7753aece95ed53c6e1 = 'info' + '@'; Rarely performed nowadays, “Amphitryon” is one of the highlights of the theater season in Berlin, where Herbert Fritsch has staged it with manic verve at the Schaubühne.

Die Münchner Kammerspiele gehen aus der Kritiker*innenumfrage des Magazins "Theater heute" als Theater des Jahres 2020 hervor. de 8,712 views.

In between, the playwright Heinrich von Kleist wrote his tragicomedy “Amphitryon” (1807), based on Molière’s 1668 farce of the same name. Überaus beliebt sind seine vier autobiografisch gefärbten Romane, die allesamt Bestseller geworden sind. Deutsches Theater Berlin. Börsenbrücke 5–7, 20457 HamburgTel: +49 40 - 36 09 84 34Email: Diese E-Mail-Adresse ist vor Spambots geschützt!

Probeneindrücke zu »Amphitryon« und Herbert Fritsch im Interview! Aktuell gehört Meyerhoff zum Ensemble der Berliner Schaubühne.

His 2012 production “Murmel Murmel” consisted of actors repeating a single word — the German for “mumbling.”. Which is not to say that Fritsch’s bracing brand of physical comedy is absent. Murnau’s 1926 silent classic. Molière took much from the Italian commedia dell’arte tradition, and Fritsch’s production highlights this influence in its exaggerated and ritualized gestures — but with the sped-up energy of a silent comedy by Chaplin or Keaton and a dose of schlocky overacting. Alceste has the rotten luck of being smitten by Célimène, a social butterfly and incorrigible flirt whose behavior epitomizes everything that Alceste loathes. 2018 zeigte das Hamburger Theater Festival mit »Grimmige Märchen« erstmals eine Fritsch-Inszenierung. var prefix = 'ma' + 'il' + 'to'; Mit: Joachim Meyerhoff, Florian Anderer, Annika Meier, Bastian Reiber, Werner Eng, Carol Schuler, Axel Wandtke, Musiker*innen: Ingo Günther, Taiko Saito, Regie und Bühne: Herbert Fritsch, Kostüme: Victoria Behr, Musik: Ingo Günther, Licht: Erich Schneider, Dramaturgie: Bettina Ehrlich. Florian Lösche’s black box set resembles a playpen fenced in by tautly stretched elastic bands through which the actors force themselves on- and offstage. Karten: € 68, € 57, € 44, € 22 (nur an der Theaterkasse: € 10 für Schüler, Studenten, Azubis — keine Gruppen) Vorverkauf: Kasse im Ernst Deutsch Theater (Tel.